Der Komponist Tommy A. Dorsey in seinen eigenen Worten zu der Entstehung von Precious Lord
Precious Lord"
by Tommy A. Dorsey
Back in 1932 I was 32 years old and a fairly new husband. My wife,
Nettie, and I were living in a little apartment on Chicago's
Southside. One hot August afternoon I had to go to St. Louis where I was
to be the featured soloist at a large revival meeting.
I didn't want to go. Nettie was in the last month of pregnancy with our
first child. But a lot of people were expecting me in St. Louis.
I kissed Nettie good-bye, clattered downstairs to our Model A and, in a
fresh Lake Michigan breeze, chugged out of Chicago on Route 66.
However, outside the city, I discovered that in my anxiety at leaving,
I had forgotten my music case. I wheeled around and headed
back. I found Nettie sleeping peacefully. I hesitated by her bed;
something was strongly telling me to stay. But eager to get on my way,
and not wanting to disturb Nettie, I shrugged off the feeling and quietly
slipped out of the room with my music.
The next night, in the steaming St. Louis heat, the crowd called on me
to sing again and again. When I finally sat down, a messenger
boy ran up with a Western Union telegram. I ripped open the envelope.
Pasted on the yellow sheet were the words: YOUR WIFE JUST DIED.
People were happily singing and clapping around me, but I could hardly
keep from crying out. I rushed to a phone and called home.
All I could hear on the other end was "Nettie is dead. Nettie is dead."
When I got back, I learned that Nettie had given birth to a boy. I
swung between grief and joy.
Yet that night, the baby died. I buried Nettie and our little boy
together, in the same casket. Then I fell apart.
For days I closeted myself. I felt that God had done me an
injustice. I didn't want to serve Him any more or write gospel songs.
I just wanted to go back to that jazz world I once knew so well. But
then, as I hunched alone in that dark apartment those first sad days,
I thought back to the afternoon I went to St. Louis. Something kept
telling me to stay with Nettie.
Was that something God? Oh, if I had paid more attention to Him that
day, I would have stayed and been with Nettie when she died. From that
moment on I vowed to listen more closely to Him. But still I was
lost in grief.
Everyone was kind to me, especially a friend, Professor Fry, who seemed
to know what I needed. On the following Saturday evening he took me up to
Malone's Poro College, a neighborhood music school. It was quiet;
the late evening sun crept through the curtained windows. I sat down
at the piano, and my hands began to browse over the keys.
Something happened to me then. I felt at peace. I felt as though I
could reach out and touch God. I found myself playing a melody, one
into my head-they just seemed to fall into place:
Precious Lord, take my hand,
lead me on, let me stand,
I am tired, I am weak, I am worn,
Through the storm, through the night
lead me on to the light,
Take my hand, precious Lord,
Lead me home.
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As the Lord gave me these words and melody, He also healed my
spirit. I learned that when we are in our deepest grief, when we feel
farthest from God, this is when He is closest, and when we are most open
to His restoring power. And so I go on living for God willingly and
joyfully, until that day comes when He will take me and gently lead me
home.
"The Birth of "Precious Lord" by Tommy A. Dorsey as it appeared in
Guidepost
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